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Reasons why people use self storage

An ever increasing number of individuals are involving self plastic storage boxes for an ever increasing number of reasons. Some are growing out of their space, others need to store things and expanding quantities of independent ventures are being set up with individuals telecommuting.

Anything the explanation, expanding quantities of individuals are going to self capacity to give the additional room they need. At insignificant expense contrasted with different choices, it keeps their effects completely safe and gives them true serenity.

Motivations behind why individuals utilize self capacity units

Run out of space at home: Individuals are hesitant to throw away possessions they never again use, particularly assuming they are still looking great. They need to cling to things ‘for good measure’ or frequently in light of the fact that they’re anticipating passing them on eventually in time. It very well may be an old Chesterfield, a bicycle, a bed, Hello fi hardware or a cabinet. Getting on the lodging stepping stool is over the top expensive and many are putting away furniture and so on, in anticipation of when their youngsters take that leap and will require all the assist they with canning get.

Moving house: Progressively individuals are moving out of their old home prior to moving into their new one to try not to lose a deal. Assuming that is the situation and you have no place to store your possessions, a self stockpiling unit is the best response. Likewise, in the event that you are cutting back, however don’t have any desire to discard or sell those pieces and pieces yet, a self stockpiling unit will help while you make your psyche up about what stays and what goes.

Remodeling: In the event that the developers are expected, to raise another center or expansion, and you are stressed over them strolling through the house and harming your couches or wooden furnishings, a self stockpiling unit would be ideal to house your resources while the work is progressing.

Child on the way: In the event that you have another expansion on the way and need to totally clear the extra room, you don’t need to get ready and placed everything on ebay. Indeed, supplant the extra bed with a bunk, yet put the bed in a self stockpiling unit, alongside any furniture that you needn’t bother with. You’re likely going to require it again is some time. You can constantly sell it assuming you alter your perspective.

Devices: Could it be said that you are a nursery laborer, manufacturer or painter and decorator? Could it be said that you are stressed over leaving your devices in the van short-term? On the off chance that you lease a little self stockpiling unit, you can drop off your instruments by the day’s end and get them the following morning. They will be put away securely in sodden free environmental elements – carefully guarded.

Garden furniture and machines: Summer gives way to pre-winter and the grass has been cut once and for all. Now is the ideal time to take care of all the nursery furniture and hardware, yet where? The space in the shed or carport appears alot more modest than whenever you took everything out and the odds are good that you’ve purchased an additional lounger, or chose to purchase a greater table. You won’t involve any of the things for a really long time so placing everything into a self stockpiling unit leaves you with a touch of room in the carport and furthermore safeguards your nursery furniture.

Keeping of accounting records begins with an Opening Entry

An opening entry is the first step in keeping best aat accounting training records. On the off chance that you are setting out on another endeavor, these passages catch everything with which you are beginning your business. Then again, on the off chance that you currently own a laid out business and are progressing starting with one bookkeeping period then onto the next, the initial passages in the new diary convey forward the equilibriums of different resources, liabilities, and capital showing up yet to be determined sheet of the past bookkeeping time frame. Depending on the items on the balance sheet, each business will have unique opening entries.

Opening Entry Example

It’s possible that your widget manufacturing company has used a one-entry basis for its records. When you operated your small business out of your garage with few customers, occasional sales, and few expenses, this was acceptable practice.

Now, suppose that your business has expanded to include more customers, orders, and inventory. It is time to upgrade to a more robust double-entry accounting system because you have outgrown your single-entry bookkeeping system. You will need to create an opening entry that reflects the final balances from your previous system when you start your new ledgers.

Applying the Accounting Equation to the balances will ensure that accurate open entries are made. As indicated by the equilibriums over, the Bookkeeping Condition yields:

The remaining query is as follows: $22,350 (Assets) x $12,500 (Liabilities) x Owner’s Equity What is X’s value, or the Owner’s Equity? Utilizing straightforward polynomial math, X is the contrast between $22,350 (Resources) and $12,500 (Liabilities). As a result, X (Owner’s Equity) is $9,850.

That is positive news. You are operating at a profit. The following inquiry is: How much equity did you put into the company in the beginning, and how much money has it made since? You can determine your net profit, or retained earnings, using a different equation. Assume you started the business with $5,000 in cash from your own pocket. Since you started, how much more equity (earnings) has your company gained?

You are now able to calculate retained earnings (profit). Owner’s equity equals $9,850, capital equals $5,000, and retained earnings equals X.

Congratulations! $4,850 (Retained Earnings) x $5,000 (Capital) = $9,850 (Owner’s Equity). During the previous accounting period, you made money. This new accounting period begins with more equity than when you first started the business. That is what success looks like, and your accounting system can tell you how successful you are.

Opening Equilibrium Diary Section

With the accommodated balances from your old diary, you can keep the initial section in the new broad record diary. The initial adjusts will act as the starting equilibrium for each record. Exchanges in the ongoing bookkeeping period will increment or diminishing these equilibriums, contingent upon the kind of exchange.

Example of a New Business Opening Journal Entry A new business’s opening entry looks very different from one for an established business. When you first start a business, all you have is what you put into it. As an additional illustration, let’s say you put down $20,000 to open a new coffee shop in the corner of your neighborhood supermarket’s parking lot. Before you at any point brew your most memorable cup and make your most memorable dime, the initial passage mirrors an expansion In real money and an expansion in Capital from zero to the sum you put in.

Reasons to choose rattan quality furnishings for the conservatory

It can be challenging to select the ideal furniture for decorating a winter garden; There are numerous choices to consider.

Rattan, on the other hand, is a material that should absolutely be taken into consideration and could very well be the best choice, if not the best. This is due to the numerous advantages it possesses.

From contemporary corner sofas to conventional tables with curved and delicate lines, high-quality rattan furniture for Birmingham Timber windows conservatories is available in a variety of styles and accessories.

Here are the  qualities of rattan, substantial for both regular and manufactured.

Because it is such a light material, Lightweight Rattan makes it simple to swap out furniture.

Rattan’s ease of cleaning is yet another significant advantage. To eliminate the soil, all you want is boiling water and a wipe. Besides, rattan is an extremely safe material, so it is hard to make long-lasting harm due its flexible nature.

This item is the best decision on the off chance that you are searching for a material that needs least consideration.

Range versatility Rattan furniture’s versatility for a conservatory is perhaps one of its most significant benefits. In point of fact, a wide range of accessories in a variety of styles, including sofas, chairs, coffee tables, tables for lamps, trolleys, and even trays, can be produced during the production phase. This lets you pick the best part for the conservatory that is being made.

There may be a variety of finishes to choose from depending on the range of furniture you select. The coordination of variety inside a space is critical to convey a specific look.

Rattan, on the other hand, lasts longer than any other material. Don’t bother purchasing oils or fluids to keep up with its great. The ultimate accessory is as a result comfortable and suitable for prolonged use.

Obstruction As currently expressed, engineered rattan is a very safe material, considerably under direct daylight. In fact, it is a one-of-a-kind material that resists fading from UV rays. It withstands low and high temperatures, chlorine, salt water, mold, and parasites. As a result, a conservatory with a swimming pool, fitness room, dining room, or kitchen would look great furnished with this product. Synthetic rattan can be used to decorate any environment.

Indeed, even normal rattan is an extremely safe material, in spite of the fact that it should be saved from delayed openness to daylight. Be that as it may, this material isn’t adversely impacted by dampness. Subsequently, it tends to be set inside pools or indoor wellbeing regions without stresses.

A style that is both timeless and refined. Now that we’ve talked about the advantages of high-quality rattan furniture, it’s easy to see why it might be a good idea to put it in a conservatory.

Choosing whether to use synthetic resin or natural rattan is a decision that must be made with the customer, taking into consideration not only their aesthetic preferences but also, above all, how the space will be used.

What is sure is that rattan is the best material that one can use in a colder time of year garden, making illusory environments, particularly in regions with hotter summer environments since it is extremely lenient toward intensity and dampness.

With the collection of rattan and synthetic resin garden sets, you can give the winter garden a modern or traditional look. You can also meet your customers’ needs and surprise them with a royal and harmonious atmosphere.

Which one do you prefer

Picking between the two kinds of rattan ought to be founded on its expected use in the center that you are planning and your own taste.

To ensure the solidness and preservation of the frill made in normal rattan, we suggest putting them in a safeguarded climate, for example, a colder time of year garden, where draperies can protect daylight.
Rattan furniture is definitely a good idea if the conservatory’s style is very luxurious and refined. These decorations mix the exploration of interesting shapes with adaptable materials to make special pieces with an extraordinary stage presence.

Ageless goods that after some time get an incentive for the high level craftsmanship with which they are made.

Synthetic rattan furniture, on the other hand, is the best option if you want to combine the high performance of a material that can withstand any kind of weather with the stage presence of natural rattan. It is ideal for both a conservatory and a garden.

These are absolutely necessary if you are working for a client who enjoys or needs to spend some time outdoors.

In point of fact, the furniture is the most important part when it comes to making an open-air living area that is durable, functional, and comfortable. Furniture ought to be both comfortable and elegant. Garden accessories made of synthetic rattan provide both comfort and weather resistance.

Jada Pinkett Smith | Jada Pinkett Smith wore vintage to SAG Awards


Jada Pinkett Smith pulled a dress from her closet to walk the silver carpet at the Screen Actors Guild (SAG) Awards.

The ‘Girls Trip’ actress turned heads in her long-sleeved Gareth Pugh gown as she arrived at the ceremony with her husband, Will Smith, and she explained the floor-length black and blue garment was a vintage piece she had picked up “a while ago”.

Speaking to ‘Live from E! SAG Awards’ host Laverne Cox, she said: “It’s vintage. It’s something that I bought a while ago. [I] had it in the closet and I was like, ‘You know what? I think girl is ready for the SAG Awards!’ So, pulled it out.”

While Will’s dark navy suit perfectly matched his wife’s look, he admitted he hadn’t put very much thought into his ensemble for the night.

He joked: “It’s just a little something I put together.

“My thing is I take a shower and I wear what’s on the bed when I get out.”

Jada added: “He has a very good stylist.”

Will confirmed: “Yeah, absolutely.”

The 53-year-old star went on to win the Outstanding Performance by a Male Actor in a Leading Role award for his work on King Richard and on the red carpet, he reflected on the “deep responsibility” he felt playing the father of tennis legends Serena and Venus Williams.

He said: “When you are telling a story of someone’s life, it is deep responsibility. Because at my level, when I put something out in the world, people take it as the truth. So, if the family didn’t like it, didn’t believe it, as an artist, that is devastating.”

And he admitted he dreaded hearing Venus and Serena’s reactions to the film.

He said: “When I heard that they were watching it, that was like the worst two hours of my life. But they called immediately and said they both cried and they felt honoured.

“Everything else after that is icing on the cake.”

However, when he won later in the evening, Will admitted it was one of the “greatest moments” of his career because of who he was sitting with inside the Barker Hangar.

He said: “That may have been one of the greatest moments of my career just now because my name was called for ‘King Richard’ sitting next to Venus Williams and her sister.”





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Selena Gomez | Selena Gomez’s grand SAG Awards look


Selena Gomez went for a “grand and over-the-top” look at the Screen Actors Guild (SAG) Awards, thanks to a lot of statement jewellery.

The ‘Only Murders in the Building’ actress walked the silver carpet on Sunday (27.02.22) in a black velvet Oscar De La Renta gown with gems from Bulgari, including their high-jewellery Serpenti necklace, a white gold piece featuring two pear-shaped emeralds and diamonds totalling 37.04 carats and a platinum ring featuring a 9.89-carat cushion-cut Columbian emerald and her stylist, Kate Young, was delighted with the finished look.

Kate said: “We really wanted to do tons of jewellery, and [the ring] is a major emerald.

“Together with the velvet, the look feels really grand and over the top and interesting.”

Kate – whose clients include the likes of Margot Robbie, Sophie Turner and Dakota Johnson – explained she prefers not to ask designers to create custom gowns but looks to find “the best dress on the best girl”.

She told The Hollywood Reporter: “Oscar de la Renta didn’t do a traditional runway show, but even if they had, whether people have seen a dress before doesn’t concern me.

“I’m not interested in asking a designer to cook up a custom dress just for the sake of doing custom; I think it’s important that dresses relate back to what’s on the runway. My job is to take the best of what’s available in the world of fashion and match it to these women.

“It’s the best dress on the best girl, and I think she looks really good.”

The stylist first saw the gown via video prior to the collection’s release earlier this month and knew “immediately” after Selena tried it on that it was right for her.

She said: “It’s super flattering and feels very her. There’s always that moment when someone puts on a dress and it’s immediately apparent that this is the one. The cut is fun and feels aligned with Selena’s style.”





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NZ vs Aus, 1st Test, 2023-24 – Cameron Green’s quick learning and Josh Hazlewood redemption


Cameron Green was sheepish on the evening of day one when he admitted he did not know how to bat with the lower order.

“I’m still trying to work out how best to play with a tail,” he said. “It’s still a fine balance between still trying to score runs but then [not] making the guys down the bottom face too many balls.”

It took him all of 16 hours to work it out, as he and Josh Hazlewood broke a host of records with a rare and priceless 116-run 10th wicket partnership to completely deflate New Zealand and help post a first innings total of 383 that looked above par on a tricky Basin Reserve pitch. It was the highest tenth-wicket partnership against New Zealand in Test history, and Australia’s fourth-best ever.
Green continued where he left off from the opening day, making a masterful 174 not out while Hazlewood survived 62 balls for 22. It was the third-longest innings Hazlewood had faced in Test cricket in terms of deliveries, and his fifth-highest score, having not passed 11 in his last 28 Test innings across five years.
Matt Henry‘s fifth wicket finally broke the stand after New Zealand suffered the indignity of having the first session extended by half an hour, having not taken a wicket in the first 120 minutes of play.

As good as Green and Hazlewood were, it was an insipid display from New Zealand, except for Henry who deserved to have a fifth much earlier in the morning. They had no obvious plan. There was no real vigour or intensity. They bowled with the assumption that the tenth wicket would fall at some point. But it did not. It was yet another example of New Zealand letting Australia off the hook after having them in a vulnerable position.

Tim Southee‘s form with the ball has to be a huge worry for the New Zealand hierarchy. One Test shy of 100, the captain went wicketless in the first innings and hardly troubled Australia’s final pair. He bowled just four maidens in 27 overs and built no pressure on any batters. In his last five Tests, he has taken just six wickets at 62.66, striking at 124.5.

Green’s actions early in the morning backed up his own words about not quite knowing how to shepherd the tail. There were times it looked like Hazlewood was the senior man talking him through it. There was even one comical moment when Hazlewood almost completed two full runs after some miscommunication with Green who did not run despite an easy two being on offer to retain the strike for the next over.

Hazlewood needed to survive 12 balls in the first three overs before Green found his method and started farming the strike. Green opted to play out the first four balls of each over with eight fielders on the rope, before either taking a single, walloping a boundary, or doing both.

While Henry was still causing him enormous trouble with balls pitched on a good length, the bowlers at the other end decided to bounce him to try and keep him on strike. Green gleefully smashed five pull shots over the legside fence into the crowd with zero fear of holing out to the men stationed in the deep.

Hazlewood then got into the groove smoking two cover drives himself. New Zealand’s heads dropped. The partnership climbed up the records charts, past the famous Jason Gillespie-Glenn McGrath laughathon at the Gabba in 2004.

It was a redemption of sorts for Hazlewood with the bat. He had cut a forlorn figure in Australia’s last Test against West Indies as he stood still in the middle, holding the pose of an attempted forward defence while his off stump was splayed, and Shamar Joseph charged away in celebration of a famous Test win.

Australia’s lower-order batting has been a major problem in recent times, save for the heroics and Pat Cummins and Nathan Lyon at Edgbaston in the Ashes. There have been times where Australia have been six-out all out. The diminishing returns of Cummins, Lyon, Hazlewood and Mitchell Starc with the bat has been a source of concern within the camp, although it had been papered over by their outstanding bowling contributions.

So often it has been Australia who have been on the receiving end of frustrating last-wicket stands. Headingley 2019 lives long in the memory. But in the last 12 months, Australia has conceded three half-century tenth-wicket stands including two in the recent summer against Pakistan and West Indies. Only South Africa and now New Zealand have conceded one other 50-plus last-wicket stand in that time.

There would have been glee in the dugout as Green and Hazlewood kept accumulating with ease. The partnership looked in no trouble at all until Hazlewood chipped one to mid-off trying another expansive drive, having been very disciplined in defence for most of the session.

But he should be proud of his efforts. As should Green, whose highest Test score raised his average back up to 37.51, past the career marks of exulted Test allrounders Keith Miller and Ben Stokes.

And he now knows how to bat with the tail.



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What is the Difference Between Mixing and Mastering?

The perplexity surrounding the distinction between mixing and mastering not only contributes to widespread confusion but also engenders a substantial amount of disinformation. Some individuals erroneously assume that these two processes are identical, while others may overlook them entirely if the foundational music composition is deemed sound from the outset. It is imperative to recognize that there exists a correlation between the domains of mixing and mastering.

To unravel the London audio mastering intricacies of these two phases and shed light on their significance in the realm of music creation and consumption, we shall embark on an exploration of five pivotal distinctions between them. Each of these distinctions plays a crucial role in shaping the final outcome of the music, influencing how it is perceived by both creators and audiences alike.

Our journey will commence with a comprehensive and straightforward overview of both mixing and mastering. Subsequently, we will delve into the specific differentiations that manifest in their respective workflows, perspectives, and tools. This detailed examination aims to demystify the intricate processes of mixing and mastering, providing clarity on their unique roles in the music production landscape.

What’s the distinction among mixing and mastering ?

let’s break down the key points for each process:

Mixing:

  1. Definition: Combining individual tracks and elements in a music composition to create a cohesive and balanced sonic mix.
  2. Responsibilities of a Mixing Engineer:
    • Adjusting levels, panning, EQ, compression, and other effects for each instrument.
    • Resolving instrument clashes, fixing gaps, and highlighting essential parts.
    • Utilizing techniques such as EQ, compression, panning, and reverb.
    • Enhancing personal impact and passion in the song.
  3. Goal: To transform individual tracks into a cohesive, polished, and balanced musical piece.

Mastering:

  1. Definition: The final step before a song is released, focusing on optimizing the overall sound and preparing the track for distribution.
  2. Responsibilities of a Mastering Engineer:
    • Balancing and finalizing the overall mix.
    • Working with a single stereo track, ensuring it sounds consistent on all playback systems.
    • Utilizing EQ, compression, and limiting to enhance the overall sound.
    • Addressing potential issues and ensuring the final product is timeless.
    • “Topping” and “tailing” songs for cohesive album flow.
    • Preparing files for various distribution methods and quality checks.
  3. Goal: To create a polished, competitive, and timeless final product that sounds great across all platforms.

Differences:

  • Scope: Mixing involves adjusting individual tracks, while mastering focuses on the overall mix of a single or multiple tracks.
  • Responsibilities: Mixing engineers enhance the details and dynamics of each track, while mastering engineers ensure the final product is optimized for distribution.
  • Process: Mixing works within a Digital Audio Workstation (DAW) with multiple tracks, while mastering typically deals with a single stereo track.
  • Goal: Mixing aims to create a harmonious piece from multitracks, while mastering aims to create a finalized, competitive, and timeless product.

Your explanation provides a comprehensive understanding of the intricacies involved in both mixing and mastering processes. It highlights the specific roles and techniques employed by mixing and mastering engineers, emphasizing their unique contributions to the music production workflow.

Is mastering and mixing a challenging task?

Mastering and mixing involve distinct processes that require both theoretical understanding and practical skills, including the use of DAWs, software, and hardware, as well as the development of a musical ear. The audio engineer gains valuable music editing insights and techniques through hands-on experience. Achieving mastery in this intricate set of skills demands considerable time and effort.

Certainly, mastering and mixing can pose challenges, especially if attempted independently or, worse yet, if entrusted to an inexperienced professional. Musicians who submit their songs to us recognize that producing excellent music becomes significantly easier when collaborating with experts. Leveraging our extensive expertise working with major labels and artists allows us to elevate your music to industry standards promptly.

Our wealth of knowledge in the field, coupled with our continuous monitoring of the music industry, ensures that we incorporate the latest guidelines and trends into our work. Each member of the Audio Mixing Mastering team boasts years of experience in handling top-tier productions for the industry. Feel free to reach out through our live chat; we are more than happy to provide assistance.

Steven Spielberg | Steven Spielberg developing new Bullitt movie


Steven Spielberg is developing a new movie based on ‘Bullitt’.

Deadline report that the legendary director is attached to helm a new original story that centres on Frank Bullitt, the character famously played by Steve McQueen in the 1968 movie.

Spielberg will produce the film with Kristie Macosko Krieger with Josh Singer set to pen the script.

Insiders are adamant that this is not a remake of the original flick but a new idea that focuses on the character.

In the original movie, Frank Bullitt is a no-nonsense San Francisco police officer hunting for a mob kingpin that killed his witness. The project is considered to be one of McQueen’s most famous roles and delivers one of the most famous car chases in cinematic history.

Steve’s son Chad and his granddaughter Molly McQueen are to executive produce the new movie.

Spielberg is currently completing post-production work on ‘The Fabelmans’, which is set to be released in November.

Plot details remain under wraps but the movie is described as a semi-autobiographical project which draws from Spielberg’s time growing up in Arizona.

The deeply personal nature of the project means that Spielberg has co-written the script with his frequent collaborator Tony Kushner. It marks the director’s first screenplay credit since the 2001 movie ‘A.I. Artificial Intelligence’.

Spielberg has often discussed how his upbringing in Arizona served as inspiration for many of his films – from stories to characters. The project will mark the first time that viewers will be given an opportunity to gain perspective on the filmmaker behind blockbusters such as ‘E.T the Extra-Terrestrial’ and the ‘Indiana Jones’ franchise.





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Ranji Trophy round seven: Tamil Nadu in knockouts after six seasons, Shardul Thakur bags ten for Mumbai


From 32 teams, eight of them are left standing as the final round of the Ranji Trophy 2023-24 helped lock in the knockouts line-up. Here are the highlights.

TN’s first knockout appearance in six seasons

Their latest win, against Punjab, may have yet not been enough to seal the top spot had Karnataka won their final group fixture against Chandigarh; Karnataka took the first-innings honours to finish second in the pool. For Tamil Nadu, this will be their first knockout appearance since the Ranji Trophy 2016-17, where they lost to Mumbai in the semi-final.
Their fourth win was set up by B Indrajith and Vijay Shankar who struck centuries in a massive first-innings score of 435, before the left-arm spinning duo of S Ajith Ram and Sai Kishore wheeled away to picked up 15 wickets between them. Set a mere 71, Tamil Nadu got there in just seven overs to secure a nine-wicket win.
Punjab’s fight in the second innings was led by Nehal Wadhera, who made a quickfire 107-ball 109 in an otherwise forgettable batting display. Overall, their season of promise – they won the Syed Mushtaq Ali T20s – ended with a solitary win that had them finish sixth in the group.

Veterans Tiwary, Fazal walk into retirement

He un-retired after announcing his decision to walk away from all forms of cricket at the end of Ranji Trophy 2022-23 to be able to realise a long-standing dream of winning the coveted title. There seemed some merit in his decision, too; Bengal had come within sniffing distance twice in the last three years (2019-20 and 2022-23), only to be pipped by Saurashtra. But there was no fairy tale ending for one of Indian domestic cricket’s great war horses, Manoj Tiwary, as Bengal endured a disappointing end to a campaign that never took off; finishing third, behind eventual qualifiers Mumbai and Andhra in Group B.
The gulf between them and Andhra was seven points, which Bengal would have perhaps felt they lost after two of their seven games were severely weather-affected. They, however, signed off on a winning note after handing Bihar defeat by an innings and 204 runs, with fast bowler Mukesh Kumar picking up six wickets.

Tiwary, who led Bengal all season, made 30 in his final innings, thereby ending a first-class career in which he made 10,195 runs across 148 matches with 30 hundreds and an impressive average of 47.86. He was fittingly felicitated by the Cricket Association of Bengal in a ceremony on Sunday evening at the Eden Gardens in Kolkata.

Unlike Tiwary, Faiz Fazal bows out with two Ranji Trophy crowns he led Vidarbha to back-to-back between 2017 and 2019. His final innings in first-class cricket on Sunday ended in a first-ball duck, but Vidarbha managed to secure a 115-run win over Haryana in a winner-takes-all contest in Nagpur. Fazal finishes with 9184 runs in 138 first-class matches with 24 hundred and an average of 41.
The win helped Vidarbha top Group A, with Saurashtra, the defending champions, finishing a close second following their convincing two-day win over Manipur in Rajkot, with Cheteshwar Pujara hitting his third hundred of the season and Dharmendrasinh Jadeja, the left-arm spinner, picking up his second straight match haul of ten wickets.

Thakur back in business as Mumbai march on

Shardul Thakur‘s match haul of 10 for 52 helped Mumbai record their fifth win of the season, as Assam were handed a thrashing inside two days. Assam lasted all of 65.1 overs in both innings combined. This was only Thakur’s second first-class outing since playing the Centurion Test in December. Thakur aside, Shivam Dube continued to have a sensational 2024. He hit a counter-attacking unbeaten 121 that lifted Mumbai from a previous 110 for 5 in the first innings. This was Dube’s second first-class hundred of the season.
Three senior players walked away expressing annoyance and hurt at DDCA’s dysfunctional system. The selection panel chief was forced to resign two games in, following a poor start. Yash Dhull, their young captain, was sacked one game in and the threat of relegation loomed halfway into the season. Yet, despite all the off-field rumblings, Delhi managed to hold their own in the back end of the season to finish with three wins, all coming in their last four games, to end third in the pool.
Their win in the final round, against Odisha, was led by Dhull’s first-innings 112, his fifth first-class century, that helped open up a slender 11-run lead before Odisha collapsed in the second innings for 133. Eventually, a target of 123 proved too little to defend as Delhi won by seven wickets with Ayush Badoni and Dhull seeing them home.



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Anna Camp | Anna Camp to lead cast of From Black


Anna Camp is to lead the cast of the supernatural horror film ‘From Black’.

The 39-year-old actress – whose previous credits included the ‘Pitch Perfect’ film series and the TV vampire drama ‘True Blood’ – is starring in the movie that will begin production this week in Mississippi.

In the movie, a young mother crushed by guilt and shame after the disappearance of her young son five years previously, is offered a strange opportunity to learn the truth and set things right.

The film asks whether she is willing to pay the terrifying price for a chance to hold her son again.

Jennifer Lafleur, John Ales, Travis Hammer and Ritchie Montgomery are also set to star.

Thomas Marchese is directing from a script that he has written with Jessub Flower. He is also producing for Dark Room Films along with Kelly Frazier for K7 Entertainment and Vincent Cardinale.

The filmmaker commented: “The idea was to take a dark police procedural and cross it into a flat-out terrifying supernatural horror story. And I really feel we have nailed the tone and hit that mark in a big way.”

Anna portrayed Aubrey Posen in the ‘Pitch Perfect’ movies and previously confirmed that she would jump at the chance to star in a fourth film.

She said: “I’m down.

“I love those girls and I love playing my character, so if they needed me I would be there, for sure.”

Her co-star Rebel Wilson has also said that ‘Pitch Perfect’ could return as the cast “always wanna work together”.

She said: “I mean, I can’t say anything officially.

“We just love each other, all us girls.

“Definitely I’ll be filming another musical film in the next 12 months, I can say that. You’ll see me singing a bit more.

“But yeah, us ‘Pitch Perfect’ girls, we love each other and we always wanna work together.”





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Recent Match Report – Sri Lanka vs Afghanistan 1st ODI 2023/24


Sri Lanka 381 for 3 (Nissanka 210*, Avishka 88, Fareed 2-79) beat Afghanistan 339 for 6 (Omarzai 149, Nabi 136, Madushan 4-75) by 42 runs

Pathum Nissanka‘s historic double ton ensured Sri Lanka withstood a spirited Afghanistan counterattack to record a 42-run victory in the first ODI at Pallekele and take a 1-0 lead in the three-match series.

That Afghanistan even got that close was down to a record 242-run stand between Azmatullah Omarzai and Mohammad Nabi, the second-highest sixth-wicket stand in ODI history. Omarazai ended on a 115-ball 149, while Nabi scored 136 off 130, as Afghanistan fell short but with their heads held high.

It would leave them wondering perhaps what might have been had there been more substantial contributions from their top order, but in a chase of the mammoth 382-run target set by Sri Lanka, many fell wanting in searching for a fast start.

Pramod Madushan did the most damage sending three of Afghanistan’s top four packing inside the first powerplay. The right-handed Rahmanullah Gurbaz and the left-handed Hashmatullah Shahidi were both done in by in-duckers, Madushan adept at moving the ball both ways – either through the air or off the surface.

In between the two he had Ibrahim Zadran caught at slip, and returned later in the game to break the stand between Nabi and Omarzai. He finished with figures of 4 for 75.

With Dushmantha Chameera accounting for the scalps of Rahmat Shah and Gulbadin Naib at the other end, Afghanistan found themselves staring down the barrel of an ignominious defeat, having stumbled to 55 for 5 midway through the ninth over.

But that was when the fightback began, as the pair of Omarzai and Nabi resolved early on to take the game as deep as possible.

With not much batting to follow, it was clear the pair could not take undue risks, nevertheless they found boundaries to ensure the run rate never got too out of hand. That said, it wasn’t until the 36th over that their scoring rate went beyond six an over, by which point the required rate was touching 12 an over.

By the 40th over the requirement was 137 needed off 60 deliveries, a tall ask but put into context by the fact that Sri Lanka had struck 120 in the same period.

In the end the asking rate proved too much, especially with Sri Lanka having multiple overs available from each of their frontline bowlers.

It also put into perspective the batting effort put in by the Lankans, particularly the outstanding Nissanka, whose 210 had come off just 139 deliveries.

Avishka Fernando, with a run-a-ball 88, was the next highest scorer, as he and Nissanka put on a 182-run opening stand – Sri Lanka’s first century opening stand in nine innings, and just the third to hit double digits in that period. But that was just the start of Afghanistan’s misery.

The visitors, who had opted to go with a four-strong seam attack, were left to rue their decision to bowl first having won the toss, with conditions proving ideal for batting. After a subdued start in the opening five in which just 22 runs were scored, Nissanka began to let loose.

There was a subdued period through the middle overs when Nabi was rifling through his overs, but at the start and the death the Afghan bowlers were at Nissanka’s mercy.

Omarzai was the first to feel the heat, taken for back-to-back boundaries through midwicket and then cover. Two overs later Fareed Ahmad was taken for 19, inclusive of two fours and a six – the latter off a free hit. Ahmad went for a further 17 in his next over, Avishka doing the brunt of the damage on that occasion, as Sri Lanka raced to 90 by the end of the 10th over.

The scoring tapered from there on, the occasional flurry of boundaries serving to keep the scoring rate hovering around the seven an over mark. It took a scorching grab from Hashmatullah Shahidi at backward point to bring an end to the opening stand, as Avishka flayed a wide one hard to his right.

Kusal Mendis’ entry saw more of the same, as he scrounged around for a 31-ball 16 before skying a miscued shot after coming down the track. The entry of Sadeera Samarawickrama, midway through the 36th over, though was the catalyst for Sri Lanka to shift gears, as his ability to rotate strike and find boundaries dovetailed perfectly with Nissanka, who was beginning to see the ball bigger with every stroke.

Their stand of 121 came off just 71 deliveries and scaled up in the final 10 overs. Of the 120 runs ransacked in this period Nissanka alone accounted for 76 of them.

Having earlier brought up his century with a single eased to deep cover, he brought up his 150 with a double past backward point. But those milestones were surrounded by belligerence.

Noor Ahmad was slog-swept twice in an over, with the wind, over deep midwicket. Fazalhaq Farooqi was clobbered down the ground, flicked over square leg, heaved over deep midwicket and paddled behind square. And when all else failed Afghanistan turned back to Fareed, but Nissanka would not err.

Having failed to get away a string of wide Fareed yorkers two overs prior, Nissanka squeezed the first such attempt in the final over past backward point to bring up his double ton. Two balls later he swung one high over square leg and then he crashed a drive to deep extra cover to finish the innings.

It was a knock worthy of winning any game, and so it proved in the end.



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Bjorn Ulvaeus | Bjorn Ulvaeus spotted busking at a train station.


BJORN ULVAEUS was spotted busking at a train station.

The ABBA hitmaker confused commuters when they saw him singing and playing an acoustic guitar with a tip jar at a metro station in the Swedish capital city of Stockholm dressed up as a cowboy.

The 76-year-old hitmaker – who is reported to be worth over a £100 million after selling 400 million albums across the world – was not believed to be singing for his supper as the al fresco performance was in honour of his pal Tomas Ledin’s 70th birthday.

To mark the occasion, Bjorn reworked on of his 70s tunes ‘Hej Gamle Man’ into a country song, now titled ‘Hey Grand Ol’ Man’.

The singer-songwriter made an accompanying video to go with the song, which also with the busking, included Bjorn doing some line-dancing to the cheeky lyrics that go: “the time has come for you to learn that girls don’t see old men. And once you have gone invisible, you’re never seen again.”

Bjorn is set to begin his hologrammed avatar stage show in London in May after at a purpose built stage after the four piece – which also includes BENNY ANDERSSON, Agnetha Faltskog and Anni-Frid Lyngstad – dropped ‘Voyage’, their first album in nearly 40 years

During the September 2021 announcement, he said: “We have always felt the Brits see us as their own.”

Praising the UK’s capital, Benny also said: “London is the best city to be in. When it comes to entertainment – theatre, musicals, concerts – it is all here. It has been here for years and years and years. There is a big audience travelling here for that reason. It was a no-brainer.”

In a letter to fans, the group explained their album name, saying it was a reference to how they were “truly sailing in uncharted waters”.





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